My go-to genre on Netflix is murder mysteries. Not the gory or graphic sort. Ones that engage your brain cells really. The whodunits without all the blood but plenty of complex twists. I have long come to the conclusion that the Brit stuff is the best in this as well as many other categories, like the period pieces, documentaries, etc. The cerebral quotient is high, acting very natural, dialogue smooth, just enough restrained emotion, not too warm/not too cold, the plot is logical, and so much else. The Italian/Spanish ones are a bit over the top/all over the place on all these counts... they don't keep the focus where it needs to be. The Scandinavian/Nordic the opposite, if that makes sense. Too clinical, too devoid of emotion, too lacking in warmth, in the human... which is what motivates my interest even though subtly. I remember once starting one of these Nordic shows and barely a few minutes in, this woman was ready to chop a chap laid on the table as if it was a sack of potatoes. With zero expression on the face. I was out, in a hurry :( The French ones are probably closer to the Brit, if I had to choose. German seems somewhere in the middle of French and Scandinavian/Nordic. A bit too uptight and cold for my liking. American... hmm... not high on cerebral, acting artificial, too unrestrained, thin plot, hollow dialogue, very random illogical twists. Rarely holds my interest very long. [exceptions obviously exist in all these languages].

Closer home, I feel the quality of crime drama in Bollywood is improving but it's a rare gem here and there. The staple is still pretty boringly predictable. Too contrived. If I know there's a good one, I do want to watch it... but there's an added complication. I am unable to be as detached as when I watch any other language shows. I have to say that I am actually very easily frightened. It's a bit of a tension between me loving a good mystery and me being put off by even the idea of violent action. With the Indian stuff, my heightened emotional involvement makes the experience very uncomfortable if the show tries to be too real. So chances are I will avoid it, unless I am watching with company.

Makes one think about how different cultural systems - different human expressions – different languages - different audience orientations capture the complexity of crime and its resolution in creative form... and all this of course from my subjective perspective which itself is oriented to appreciate a particular form and style over others…